The Grifters Publishing™

(Signed) GRAFFITI WITHOUT GRAFFITI

Graffiti Without Graffiti is a comprehensive and psychoanalytical dissection of the experiences found in the graffiti culture and lifestyle, without the graffiti pieces itself.

Each of the five authors has been challenged with a task - to use only 36 pages to show graffiti without the ability to depict the graffiti itself. The mix of exclusive footage, confrontational illustration and sophisticated text, reveals the charade surrounding the graffiti culture.

This book is the first monograph of The Grifters Collective currently comprised by the 1992 Collective, Badyear85, Eewan, Good Guy Boris, James Hattrick & Thorfine.

All books are numbered and signed by the 5 Authors.

Read the full story here.
Orders placed until 2pm (UTC +02:00) are shipped the same day. Orders placed later - the next day. Orders made on Friday after 2pm (UTC +02:00), during the weekend or Holidays, are shipped the first working day. You can chose one of our shipping service at check out between:

- REGULAR - 5 to 15 business days.-

- FAST - 3 to 6 business days.*

- EXPRESS - 1 to 3 business days.*

All shippings services includes Tracking number & Insurance.

* Full information about our shipping & handling policy here.

Consult our shipping prices here.
We offer FREE RETURN in case you are not satisfied with our product. You can make this within 30 days, counted from the day of your purchase. Simply email us your issues at office@thegrifters.org and we will handle the rest for you.

Please read our RETURN POLICY here.
Size: 22 x 27 cm/8.66 x 10.6 inch

Edition: Limited edition of 500. Signed and Numbered by the 5 Authors.

Pages: 200 color pages

Cover: Softcover (Paperback) and a Slip Case

Print: Offset Lithography on 170 gr. paper

Packaging: Shipped in a protective cardboard envelope

Language: English

Co-Published by The Grifters Publishing™ & Urban Spree
THE FIRST PHOTO-BLOG BY THE GRIFTERS popped up on the Internet almost ten years ago, a project drawn from the psyche of a focused Eastern European. With the help of his friends, armed with nothing but point and shoot film cameras, The Grifters began documenting and reporting on the lifestyles of the people that surrounded them. Punctuating these reports with humor and irony, sarcasm and provocation, all the while captured with beautiful photography, The Grifters revealed a wholly new perspective on the current generation. The Grifters took an approach that nobody else was taking at the time, by portraying everything surrounding the act of graffiti, whilst avoiding the resulting graffiti itself. Highlighted by this approach is the realization that there are many more interesting moments and emotions to capture, other than only graffiti. The Grifters started out as a graffiti-like blog with an alternative and fresh point of view, taking pride in their selection of the most prolific graffiti writers. Within a few short years it had developed into something much bigger than just one photographer’s journal. The Grifters, in establishing one of the most recognizable Internet platforms for urban culture, opened a door for a whole new way of documenting and presenting the stories of people who were once labelled as outcasts. They developed these narratives into something philosophical, romanticized and sophisticated. The Grifters not only showed the darker side of society through their beautiful photography and video, but also added a sense of morality, by way of the provocative messages and quotes that we see in their publications.

IN MAY 2014, AFTER BEING SET UP BY THE FRENCH VANDAL SQUAD, the creator and head of The Grifters was sent to prison, accused of crimes including Terrorism and Conspiracy. Good Guy Boris was to spend four months remanded in custody in the largest European prison, for merely filming people doing graffiti and posting this on the Internet. This “low blow” on behalf of the police, gave way to The Grifters rising even more in popularity.

VERY FEW PEOPLE ARE AWARE that during the time Boris spent in prison, he invited four new people to join the platform of The Grifters. This was the first step taken in developing The Grifters into an art collective. He called upon other young and talented photographers, an illustrator and a writer to join with him to form the collective that The Grifters is currently comprised of today, namely the 1992 Collective, BadYear85, Eewan, Good Guy Boris, James Hattrick & Thorfine. Quickly after the return of Boris from his “holidays”, The Grifters had organized a series of successful exhibitions in Paris, the capital of art and fashion, and their next target is establishing a milestone before the birth of their latest form of evolution - The Grifters Journal.

GRAFFITI WITHOUT GRAFFITI. The name of the project reveals the rationale behind the evolution of The Grifters. This work is a comprehensive and psychoanalytical dissection of the experiences found in the graffiti culture and lifestyle, without the graffiti itself, effectively mirroring the credo of The Grifters. This project is the embodiment of something that The Grifters have been documenting and doing, for almost a decade. The highlight is the limited edition book “GRAFFITI WITOUT GRAFFITI”, a landmark in the saga of The Grifters, and the first project released by them as an art collective. Each artist has been challenged with a task, to use only 36 pages to show graffiti without the ability to depict the graffiti itself. The mix of exclusive footage, confrontational illustration and sophisticated text, helps reveal the charade surrounding Graffiti culture. This book will be the closest explanation to date of what The Grifters is truly about. With a limited edition print run of only 500 copies, the book was presented exclusively during the exhibition “GRAFFITI WITHOUT GRAFFITI” held at Urban Spree Galerie in Berlin, Germany in July 2015.

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The Grifters Publishing™

(Signed) GRAFFITI WITHOUT GRAFFITI

Graffiti Without Graffiti is a comprehensive and psychoanalytical dissection of the experiences found in the graffiti culture and lifestyle, without the graffiti pieces itself.

Each of the five authors has been challenged with a task - to use only 36 pages to show graffiti without the ability to depict the graffiti itself. The mix of exclusive footage, confrontational illustration and sophisticated text, reveals the charade surrounding the graffiti culture.

This book is the first monograph of The Grifters Collective currently comprised by the 1992 Collective, Badyear85, Eewan, Good Guy Boris, James Hattrick & Thorfine.

All books are numbered and signed by the 5 Authors.

Read the full story here.
Orders placed until 2pm (UTC +02:00) are shipped the same day. Orders placed later - the next day. Orders made on Friday after 2pm (UTC +02:00), during the weekend or Holidays, are shipped the first working day. You can chose one of our shipping service at check out between:

- REGULAR - 5 to 15 business days.-

- FAST - 3 to 6 business days.*

- EXPRESS - 1 to 3 business days.*

All shippings services includes Tracking number & Insurance.

* Full information about our shipping & handling policy here.

Consult our shipping prices here.
We offer FREE RETURN in case you are not satisfied with our product. You can make this within 30 days, counted from the day of your purchase. Simply email us your issues at office@thegrifters.org and we will handle the rest for you.

Please read our RETURN POLICY here.
Size: 22 x 27 cm/8.66 x 10.6 inch

Edition: Limited edition of 500. Signed and Numbered by the 5 Authors.

Pages: 200 color pages

Cover: Softcover (Paperback) and a Slip Case

Print: Offset Lithography on 170 gr. paper

Packaging: Shipped in a protective cardboard envelope

Language: English

Co-Published by The Grifters Publishing™ & Urban Spree
THE FIRST PHOTO-BLOG BY THE GRIFTERS popped up on the Internet almost ten years ago, a project drawn from the psyche of a focused Eastern European. With the help of his friends, armed with nothing but point and shoot film cameras, The Grifters began documenting and reporting on the lifestyles of the people that surrounded them. Punctuating these reports with humor and irony, sarcasm and provocation, all the while captured with beautiful photography, The Grifters revealed a wholly new perspective on the current generation. The Grifters took an approach that nobody else was taking at the time, by portraying everything surrounding the act of graffiti, whilst avoiding the resulting graffiti itself. Highlighted by this approach is the realization that there are many more interesting moments and emotions to capture, other than only graffiti. The Grifters started out as a graffiti-like blog with an alternative and fresh point of view, taking pride in their selection of the most prolific graffiti writers. Within a few short years it had developed into something much bigger than just one photographer’s journal. The Grifters, in establishing one of the most recognizable Internet platforms for urban culture, opened a door for a whole new way of documenting and presenting the stories of people who were once labelled as outcasts. They developed these narratives into something philosophical, romanticized and sophisticated. The Grifters not only showed the darker side of society through their beautiful photography and video, but also added a sense of morality, by way of the provocative messages and quotes that we see in their publications.

IN MAY 2014, AFTER BEING SET UP BY THE FRENCH VANDAL SQUAD, the creator and head of The Grifters was sent to prison, accused of crimes including Terrorism and Conspiracy. Good Guy Boris was to spend four months remanded in custody in the largest European prison, for merely filming people doing graffiti and posting this on the Internet. This “low blow” on behalf of the police, gave way to The Grifters rising even more in popularity.

VERY FEW PEOPLE ARE AWARE that during the time Boris spent in prison, he invited four new people to join the platform of The Grifters. This was the first step taken in developing The Grifters into an art collective. He called upon other young and talented photographers, an illustrator and a writer to join with him to form the collective that The Grifters is currently comprised of today, namely the 1992 Collective, BadYear85, Eewan, Good Guy Boris, James Hattrick & Thorfine. Quickly after the return of Boris from his “holidays”, The Grifters had organized a series of successful exhibitions in Paris, the capital of art and fashion, and their next target is establishing a milestone before the birth of their latest form of evolution - The Grifters Journal.

GRAFFITI WITHOUT GRAFFITI. The name of the project reveals the rationale behind the evolution of The Grifters. This work is a comprehensive and psychoanalytical dissection of the experiences found in the graffiti culture and lifestyle, without the graffiti itself, effectively mirroring the credo of The Grifters. This project is the embodiment of something that The Grifters have been documenting and doing, for almost a decade. The highlight is the limited edition book “GRAFFITI WITOUT GRAFFITI”, a landmark in the saga of The Grifters, and the first project released by them as an art collective. Each artist has been challenged with a task, to use only 36 pages to show graffiti without the ability to depict the graffiti itself. The mix of exclusive footage, confrontational illustration and sophisticated text, helps reveal the charade surrounding Graffiti culture. This book will be the closest explanation to date of what The Grifters is truly about. With a limited edition print run of only 500 copies, the book was presented exclusively during the exhibition “GRAFFITI WITHOUT GRAFFITI” held at Urban Spree Galerie in Berlin, Germany in July 2015.