The lead up to the finale of the Grifters Code series began way back at the end of 2013, when Boris originally started filming the sixth episode with the Parisian artist Saeyo. This venture was abruptly cut due to the legal issues faced by both the artist and the director during the time that they worked on the video.
A few months later, Boris released another video in conjunction with another Parisian writer – Cokney. A week after its release, on an early Monday morning, the French anti-graffiti police broke down the door and raided the flat where they both lived. After three days of questioning and threats, that ‘this will be the end of The Grifters’, Boris found himself held in indefinite custody in the largest prison in Europe, waiting for trial. The time he spent in isolation was put to good use, sharpening his body and mind, further planning the next steps of his career. He went on to spend four months there, which he later proclaimed in a sarcastic video statement as his “surprise holidays in not-even-1-star-Hotel”.
After his release, the Grifters Code series was no longer in Boris’ spectrum of interest. The mystery around Episode 4, the failure of Episode 6 with Saeyo to come to fruition, in conjunction with his imprisonment resulted in a stop gap, a period of time in which Boris’ point of view was forcibly given time to mature. Using this time wisely, Boris evolved new skills and a vision on how documenting should be made. He started working on new projects, leaving the Grifters Code how it stood, in the past.
In one of his projects, he gathered together The Grifters Collective for a conceptual book and exhibition entitled Graffiti Without Graffiti, which took place in Berlin. Whilst visiting Berlin for the show, he saw something that he already heard about from friends – the rooftops and the facades of buildings across the infamous neighbourhood of Kreuzberg were covered in Red & Blue tags, reminiscent of the Brazilian Pixadores. Boris had heard stories about the creators of these markings, and had watched their movie Berlin Kidz, which revealed a whole new level of graffiti writing – roping down buildings without concern for safety, train writing, free running – a montage of adrenaline fuelled actions.
But after discovering it with his own eyes, Boris became sure that this was to be the next subject he wanted to document and show to the world. The documentary was to replace the cancelled sixth episode of the Grifters Code, to end the unfinished saga with a milestone.
The series finale is summed up in the book Grifters Code – Documenting Modern Graffiti Writing, a detailed history on how the series changed the course of graffiti documentation worldwide, as Boris takes an opportunity to explain and define the legacy of his work. From The Grifters embryonic stages in the backwaters of Bulgaria going on to become a mainstay of graffiti photojournalism in the capital of France, the book chronicles the results of many years of hard work, from it’s humble beginnings to the international stage. With behind the scenes photos and unreleased material, Grifters Code – Documenting Modern Graffiti Writing is itself a product of its own evolution.