The throw-up appears. The city removes it. It comes back: both exactly the same and totally different. That is the practice. It has not stopped since 1989.
Never Ending Story is that loop documented. More
Never Ending Story is that loop documented. More
Podcast
The conversation between Tilt and Boris, recorded in Athens, covers the origins of his work, how he started, what a throw-up actually is and why it matters, how that practice became the foundation of a serious gallery career, and why it took until now to put it all in a book.
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Editions
Each of the 50 copies is built in three layers of uniqueness. The cover: a different material and colour for every copy, with a unique throw-up photograph embossed into it.
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The print: stencil cut by hand, painted, outlined and buffed in pink, on a photograph selected by Tilt. The cover photograph and the print photograph are never the same. The book: signed and numbered by Tilt, as is the print. None of the covers match. Edition of 50.Less
50 copies. No reprint.
A signed and numbered copy of Never Ending Story with an original hand-finished print. Both the book and the print are signed and numbered by Tilt. Each print is made using a stencil cut by hand, painted, outlined and buffed. A yellow throw-up on paper. Each print is unique. Edition of 150.
150 copies. No reprint.
Never Ending Story is the loop documented: Tilt's throw-up appears, the city removes it, it comes back. 440 pages of throw-ups, buffed walls, and the gradient sequence that holds them together.
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Swiss-bound, bilingual (FR & EN), with a foreword by Henry Chalfant, co-author of Subway Art (1984), and critical essays by David Pontille and Évelyne Toussaint. Open edition.Less
About Tilt
Tilt is a graffiti writer from Toulouse, active since 1989. He paints throw-ups illegally in cities across the world, without interruption across 38 years and 72 countries.
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Shipping
We ship with Le Grand Jeu, based in Paris, France. All orders are fulfilled from their bookstore.
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